Archive for the ‘THE PROJECTION BOOTH’ Category

SEQUEL-TITLE-ITIS part 2: How to Improve Sequel Titling

A sequel by definition is unoriginal, so movie sequels already have one strike against them. Strike two comes from studios saddling them with unoriginal titles. Cars 2 The Expendables 3 Paranormal Activity 4 Final Destination 5 (If they’re on the 5th film, then how final is this destination? Just saying.) Humdrum titles like these do […]

SEQUEL-TITLE-ITIS part 1: The epidemic of giving bad titles to good (and not-so-good) sequels.

UrbanDictionary.com defines Sequelitis as, “A medical condition propagated by a combination of commercial success and creative ineptitude.” This epidemic has plagued Hollywood for nearly a century, starting with The Fall of a Nation (1916), the forgotten follow-up to D.W. Griffith’s popular The Birth of a Nation (1915). This inspired sequels in every genre, from historical […]

COFFEEHOUSE SCREENWRITING 102: Caffeinated Writing on a Budget

If you’re looking for how to make passive characters active or how to cram writing in between day jobs and kids, then you’re in the wrong place.  For help with that, I recommend a great book with a title similar to this article — The Coffee Break Screenwriter by Pilar Alessandra. This article isn’t about how […]

COFFEEHOUSE SCREENWRITING 101: An Intro to Caffeinated Writing Culture

I spend a lot of time in coffee shops, yet I don’t like coffee.  I didn’t used to like coffee anyway. Until I spent a lot of time in coffee shops.  Does that sound jittery?  Blame caffeine because I’m typing these words in a coffee shop. As a freelance writer determined, like the vast majority […]

MASTERS OF THE SHARED UNIVERSE

Marvel’s The Avengers, which assembled heroes established in previous solo films, earned $1.51 billion worldwide.  It’s the third highest grossing film of all time.  Ever since its massive success, Hollywood has gone cray cray for the shared universe concept.  World-building has been replaced by universe-building in hopes of riding the trend all the way to […]

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