TRAILER TUESDAYS Only on BTM

Instead of bouncing around the net trying to find the latest trailers for the hottest films, just drop by Beyond the Marquee here on TRAILER TUESDAYS and we’ll load you up with what you need. Whether you’ve seen them allready, or ar thirsty to revisit them again, here are this weeks’ latest and greatest!

FAST AND FURIOUS 6 (5-24-13) Since Dom (Vin Diesel) and Brian’s (Paul Walker) Rio heist toppled a kingpin’s empire and left their crew with $100 million, our heroes have scattered across the globe. But their inability to return home and living forever on the lam have left their lives incomplete. Meanwhile, Hobbs (Dwayne Johnson) has been tracking an organization of lethally skilled mercenary drivers across 12 countries, whose mastermind (Luke Evans) is aided by a ruthless second-in-command revealed to be the love Dom thought was dead, Letty (Michelle Rodriguez). The only way to stop the criminal outfit is to outmatch them at street level, so Hobbs asks Dom to assemble his elite team in London. Payment? Full pardons for all of them so they can return home and make their families whole again.

JACK THE GIANT SLAYER (3-1-13) “Jack the Giant Slayer” tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack (Nicholas Hoult) into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend–and gets the chance to become a legend himself.

MONSTERS UNIVERSITY (6-21-13) Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn’t always the case. From the moment these two mismatched monsters met they couldn’t stand each other. “Monsters University” unlocks the door to how Mike and Sulley overcame their differences and became the best of friends. Screaming with laughter and fun, “Monsters University” is directed by Dan Scanlon (“Cars,” “Mater and the Ghostlight,” “Tracy”) and produced by Kori Rae (“Up,” “The Incredibles,” “Monsters, Inc.”).

HOURS (TBD 2013) Before sunrise on August 29, 2005 Nolan (PAUL WALKER) arrives at a New Orleans hospital with his pregnant wife Abigail (GENESIS RODRIGUEZ) who has gone into early labor. What should be one of the happiest days of Nolan’s life quickly spirals out of control when the birth goes tragically wrong and Hurricane Katrina ravages the hospital, forcing an evacuation. Told to stay with his child, who is on a ventilator, Nolan and his newborn are soon cut off from the world by power outages and rising flood waters. When no one returns to help, Nolan faces one life-and-death decision after another, fighting to keep his daughter alive, as minute by agonizing minute passes, becoming unimaginable “Hours.”

1D3D (8-30-13) One Direction – Niall Horan, Zayn Malik, Liam Payne, Harry Styles and Louis Tomlinson – were discovered by Simon Cowell on the U.K.’s “The X Factor” in 2010. The band quickly gained a following to become one of the competition’s all-time most popular acts, finishing in the final three and garnering a gigantic and loyal fanbase along the way. In March 2012, One Direction’s debut album, “Up All Night,” made U.S. history, as it was the first time a U.K. group’s debut album entered the U.S. Billboard 200 chart at No. 1. The band has sold over 13 million records worldwide. Today, One Direction released their sophomore album, “Take Me Home,” which includes the No. 1 single, “Live While We’re Young.” Morgan Spurlock, Ben Winston, Simon Cowell, and Adam Milano produced the film.

ROOM 237 (3-29-13) After the box office failure of Barry Lyndon, Stanley Kubrick decided to embark on a project that might have more commercial appeal. The Shining, Stephen King’s biggest critical and commercial success yet, seemed like a perfect vehicle. After an arduous production, Kubrick’s film received a wide release in the summer of 1980; the reviews were mixed, but the box office, after a slow start, eventually picked up. End of story? Hardly. In the 30 years since the film’s release, a considerable cult of Shining devotees has emerged, fans who claim to have decoded the film’s secret messages addressing everything from the genocide of Native Americans to a range of government conspiracies. Rodney Ascher’s wry and provocative Room 237 fuses fact and fiction through interviews with cultists and scholars, creating a kaleidoscopic deconstruction of Kubrick’s still-controversial classic.